Category: Books

Book Clusters: The London Blitz

10/29/2019

Sometimes, the bookshelf is stocked with wide-ranging topics. Other times the books seem to form clusters. Maybe it's just a question of what's interesting: a rash of murder-mysteries, a brace of biographies, a deep delve into orbital mechanics.

Or perhaps just luck of the draw.

For the past year or so, I have read many stories about the London Blitz and also about the female spies of World War II.

At the risk of insulting our collective historical memory, let me review the Blitz.

In around 1939, the Nazis were marching pretty handily across Europe, invading Czechoslovakia, Austria, Poland, Denmark, Norway, Belgium, the Netherlands, France, the Channel Islands, toppling governments and sending whole populations of people to work camps.

Basically setting the platinum standard for European evil.

The British kept fighting (on the beaches, on the landing fields, etc., etc...) and in the late summer of 1940, Hitler sent a bomber to London.

It might be that the pilots got a bit turned around and only accidentally dropped a cartload of bombs on London's East End. It might be that the Germans were retaliating for a British raid that killed German non-combatants.

In any case, the German bombs landed in the heart of the city, destroying houses and killing civilians. Churchill responded by sending a fleet of bombers to hit Berlin. The British succeeded, and then did it a second and third time –– to the disbelief of the Germans, who thought nobody could get to Berlin.

Naturally, the Germans were outraged. Hitler vowed that if the British wanted to drop bombs on German cities, well by gum, the Germans would drop ten times as many on British cities.

So then began the Blitz –– the German bombers targeted civilian sites, landmarks, population centers, night after night. Tens of thousands of civilians died. Hundreds of thousands were hurt.

The bombardment went on without much stop until the following May, when thankfully, Hitler was distracted by the sparkly-sparkly toy that was Russia.

The Blitz was meant to terrorize the British, but instead of losing heart, the Brits dug in their heels. They sent their kids to the countryside, hunkered down in Tube stations, and continued to do business in a bombed-out city.

It was "Britain's finest hour," not the least because with the Germans focused on civilian targets, the Royal Air Force caught a break to rebuild their fleet.

Talk about stiff upper lip.

This historical moment –– the bombing of civilians and the endurance of those citizens –– is sadly not unique to the British. It's happening right now, of course. Terrible things happen again and again.

With the Blitz, I suppose part of the pleasure is knowing that it ended. And that the bad guys did not win. With this setting, I've been enjoying a whole host of novels and the odd non-fiction volume.

Here's a trio of recommendations:

In Sarah Waters' The Night Watch, the Blitz is the catalyst for the heartbreaking love affair at center stage.

The novel begins in a grey and tired 1948 and runs backward, tracing the fates of four Londoners to the flash-lit beginning in 1941.

Amazing period detail, wrenching emotion, and astonishing characterization makes me wish I'd written this novel.

From Connie Willis, a pair of double-decker novels called Blackout and All Clear are set in the Blitz and focuses on how ordinary people survived it.

In Blackout, historians from Oxford in 2060 travel back in time to observe the Blitz firsthand. As one might expect, their expedition into the past goes awry and they are unable to return home.

All Clear continues the story to its suspenseful conclusion. It's not for everyone, this cement block's worth of story, but it's among my favorites. It juggles multiple storylines with humor, pathos, and a dollop of historical facts for a long immersive experience.

Everyone Brave is Forgiven by Chris Cleave turns out to be an examination of the variations of bravery –– from the courage of battle, to the strength to simply keep carrying on –– shown by a handful of Londoners.

Based loosely on the story of the author's own grandparents, the novel is engaging and bittersweet. I gobbled it up over a weekend.

I haven't yet had my fill of Blitz stories –– and espionage-by-women tales, the topic for another day –– if anyone has recommendations?

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Disappear Mah Beard, Why Doncha*?

7/10/2019

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For 100 years, sailors have been racing to Hawaii from Southern California. Okay, probably ages longer, competitive spirit being what it is, but the 2019 Transpac marks the 50th anniversary of the 2250-mile sailboat race.

Little did I know, this big race is one of Jeff's lifetime sailing ambitions.

Enter the wizard: Merlin is a 68-foot-long sled designed by Bill Lee. The boat was built in 1977, and promptly set a record** in that year's Transpac that stood for 20 years. Tampa-based attorney Chip Merlin*** purchased the sweet sloop a year and a half ago and set about updating her and now, just like that! It's showtime.

There's been more than a year's worth of preparation, rebuilding, outfitting, refitting, and organizing logistics. I haven't documented it because –– in a parallel to nie moje malpy, nie moj cyrk –– the fiberglass dust, punch lists, invoices, and files of safety documentation have been a few states away from me.

The intrepid crew includes Chip Merlin, Brian Malone, Kat Malone, Mackenzie Cook, Keahi Ho, Mike Pentecost, James Clappier, Chris Watts, Adrienne Cahalan, variously from Florida, California, Hawaii, and Sydney, Australia.

The Transpac website will be tracking the fleet –– keep in mind, instant-gratification junkies, that the updates appear with a 4-hour lead-time. That is, the updates are NOT in real-time.

Boats are expected to finish in a week or two, depending on weather and what-not. Here's the link to the Transpac race site.

Here's the link to Merlin Racing (find a treasure-trove of videos on YouTube too!). And here's the Merlin Facebook page.

Crossing fingers and knocking wood, next stop Honolulu. Laki maika'i, all y'all.

*Identify the literary reference, win a prize.
**8 days, 11 hours.
***If your family name is Merlin, I think you are more or less obliged live up to it.

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Great Blue Herons

4/2/2019

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So, okay, maybe the big raptors like Bald Eagles and Snowy Owls are more impressive, and coming eyeball-to-eyeball with a Sandhill Crane is even more alarming, but Great Blue Herons are darned impressive birds.

Game camera photo

Game camera appears to be slipping.

In my Shell Island Shuttle days, when we'd rescue birds –– mostly untangling them from fishing line, but sometimes popping them into a pet carrier and ferrying them over to the local rescue outfit –– the Great Blues were among the most challenging to help.

They are fierce, even as they are fragile. Those long legs ––! They aim those impressively big beaks RIGHT for your eye, and they have quite a reach.

They do not give up after they've been caught.

Magnificent, cranky creatures.

In a book whose heavy style I enjoyed a lot –– though, sadly, after my godfather Dan complained about the many factual errors he'd found, and I did my research, I too, became less enchanted by the novel –– here's a lovely passage including a blue heron:

In his mind, Inman likened the swirling paths of vulture flight to the coffee grounds seeking pattern in his cup. Anyone could be oracle for the random ways thing fall against each other. It was simple enough to tell fortunes if a man dedicated himself to the idea that the future will inevitably be worse than the past and that time is a path leading nowhere but a place of deep and persistent threat. The way Inman saw it, if a thing like Fredericksburg was to be used as a marker of current position, then many years hence, at the rate we’re going, we’ll be eating one another raw.
And, too, Inman guessed Swimmer’s spells were right in saying a man’s spirit could be torn apart and cease and yet his body keep on living. They could take death blows independently. He was himself a case in point, and perhaps not a rare one, for his spirit, it seemed, had been about burned out of him but he was yet walking. Feeling empty, however, as the core of big black-gum tree. Feeling strange as well, for his recent experience had led him to fear that the mere existence of the Henry repeating rifle or the éprouvette mortar made all talk of spirit immediately antique. His spirit, he feared, had been blasted away so that he had become lonesome and estranged from all around him as a sad old heron standing pointless watch in the mudflats of a pond lacking frogs. It seemed a poor swap to find that that the only way to keep from fearing death was to act numb and set apart as if dead already, with nothing much left of yourself but a hut of bones.

Cold Mountain by Charles Frazier, 1997. Page 16.

PS: I actually prefer Cold Mountain the movie. Exception proves the rule.

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So Many Unanswered Questions

2/19/2019

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All happy families are happy in the same way, Tolstoy wrote, but every unhappy one is unique in its misery. Poke around in the high canopy of the family tree, and you see that unique as unhappiness may be –– still, patterns emerge. Familiar patterns even.

Abandonments and early deaths, illness and poverty, and of course, like smoke seeping from under the rafters, scandal.

Like this one:

My gr-gr-grandfather Newton had a bunch of siblings. I don't know much about them. It's a long time ago, and over years of research, I hadn't located half of their graves in our tiny farming hometown. But sometimes you return over and over to a stubborn nut, giving it the odd yank, and it will loosen.

One of those siblings was Cornelia Jane Newton. Born in 1837 in Dimock, Pennsylvania (about 15 miles from where I was myself born a few years later), she was buried in Nebraska in 1912.

First, okay –– Nebraska? That's worth thinking about.

Turns out she married late (at 34) to Joseph Blanding Sturdevant (another long-rooted family from that corner of Pennsylvania) and the two moved West with a group of like-minded Methodists in the early 1870s.. She and Joe had four kids (a son died at 14), and at the end of her 75 years, she was living with her daughter, Sarah Lorena Chittick.

Cornelia Jane's obituary paints a certain kind of picture of the former schoolteacher: "If sometimes in the stress of life's conflicts, the battle pressed sore, faith, courage and Christian fortitude enabled her to bear up."

So, not an easy life for Cornelia Jane, born in Dimock, died in Nebraska.

As I wandered around the inter webs, evidence pointed to Joeseph marrying her twice, once in 1872, and then again in 1897.

Or anyway, there was a second "Newton" bride for him. It might be trendy to renew one's vows now (Or is it? Renewing vows seems an indicator of heavy marital weather.), but it was not a thing I've heard about in the 1890's.

A bit more clicketty clicking, and sure enough, Joe marries a Newton gal from Dimock in 1897, but that would be Rosella Newton –– Cornelia Jane's younger sister.

Joseph and his new bride Rosella exchanged vows in Pennsylvania and then moved to the teeming metropolis of Kansas City.

It's easy to imagine Rosella as the youthful replacement wife, possibly a hussy, and that Joseph was more than a little bit of a creeper, but that's simply too easy a story. No matter how often it happens in real life.

Like they say, when the answer is too obvious, look closer: as I compare birthdates, I see that Cornelia is 12 years Joe's senior. When they first married, he was 22 to her 34. She was a school teacher. Oh lawsie, I wonder if she was his school teacher.

Turning the tables on who's the creeper, maybe.

But more: they divorced, according to one of their descendants, in 1880. That meant 17 years of bachelorhood for Joe before he swooped in for the younger Newton sister. Who was, at that point, 45 years old. Hardly an ingenue.

And Joe (that would be Professor Sturdevant, according to the Mead, Nebraska Independent News of 1881) doesn't seem a likely rake.

He was a railroad station agent. He organized a band in Nebraska and left a couple of pieces of religious music behind.

The imagination boggles. To divorce in 1880, and then –– a period of seeming quiescence, where Cornelia and Joseph both lived in the same small Nebraska town? Then for him to marry Rosella?

What truth could match these data points? Did somebody have a breakdown? Perhaps Rosella was the original object. Perhaps Joseph just liked the family. Perhaps Cornelia organized the hand-off. Perhaps there was a lengthy epistolary courtship with letters coming in the mail. Perhaps one or the other was merely a marriage of convenience.

I can see the new couple moving away from Nebraska. After all, Cornelia lived there, as did another older Newton sister, Catherine (and I wonder what she thought about all this), but why Kansas City?

And, finally, how would a researcher ever know? Rosella and Joseph had no children (Or did they? Joseph's youngest is named Rose Ellen, born in 1879. Though a dozen documents say otherwise, one outlying reference lists her as the daughter of Rosella, and that she was born in Pennsylvania, not Nebraska). But again, if the children were Cornelia's, the surviving generations necessarily favor Cornelia's side of the drama.

It's possible that there was no drama.

Except seriously, what happened?

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Fiction Prompt: Holiday Cheer

12/24/2018

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Imagination is like the common cold virus: it's always there, lurking, waiting for the chance to nip in and take the wheel. There's no sure cure, though you can treat the symptoms. Medical advice says let it run its course.

Today's fiction prompt: a photo I took on a fishing trip to Wyoming.

Rudolph was no fiberglass elk, bugling soundlessly on the street of Thermopolis.
He was neither the victim of a fierce electrical taping nor did he lose an ear during a wrestling match with a drunk guy.
He did not lift his rack of fiberglass antlers into the wide Wyoming sky in an effort to voice his pain.
He did not wear a saddle-pad of twinkling holiday lights.
He did not sport a compact fluorescent bulb painted red at the distal point of his noggin.

They might have let Rudolph join in any reindeer games, but little matter.
Was he like Bartleby before him, preferring not?
Or like Robert Cratchit, beetling away for the chance of a day's liberty?
Or Balthazar, with the insight to know what lay ahead?
Or maybe, inert as can be, he is like the Yule log, waiting for the dark to yield to light and then celebrate another year beginning.

Hope your season is bright.

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Art or Nature?

12/11/2018

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Life is not the only thing out there imitating art.

Evidently Nature's in on it too.

According to Edgar Degas, "Art is not what you see, but what you make others see." And for that I might as well go ahead and apologize.

The naughty bit...of a goblin. Goblin State Park, Utah.

She doesn't get the same press as David, but the Medici Venus at the Uffizi has got back, baby.

I was thinking about the Alexander Pope quote, which was –– I thought –– Art is but Nature to advantage dressed. Or, in this case, not dressed. I meant to rift extensively on part about being undressed. Low humor, sure, and possibly dragging in the topic of saggy pants.

But when I checked the quotation (From his Essay on Criticism, which is in strictest truth a poem), Pope actually wrote:
"True wit is Nature to Advantage drest,/What oft was Thought, but ne'er so well Exprest,/Something, whose Truth convince'd at Sight we find,/That gives us back the Image of our Mind."

Oh Alexander Pope, you navel-gazing noodler.

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The Big Parks Trip: Grammar in the Wild

10/23/2018

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I read Desert Solitaire by Edward Abbey only after we'd hiked in Arches National park in July.

The book formed my reward for a long day's walk. The book and a pizza. One cannot live on books alone.

The bookstore on the main drag of funky Moab, Utah (Back of Beyond Books) naturally, features the work of Abbey, who worked as a ranger in the area in the late 1950's.

Abbey wrote this about Arches National Park:

"The air is so dry here I can hardly shave in the mornings. The water and soap dry on my face as I reach for the razor: aridity. It is the driest season of a dry country. In the afternoons of July and August we may get thundershowers but an hour after the storms pass the surface of the desert is again bone dry."
Desert Solitaire, p 142.

A fleeting puddle along the Devil's Garden Trail.

We started the Devil's Garden trail at 6:30 perhaps –– the sun was up, but the shadows were long when we left the paved trail at Landscape Arch.

Bonus travel tip: Even in the busiest and most popular national parks, we found that by hiking a few hundred yards down nearly any trail*, we could leave most of the seething mass of vacationing humanity behind.

Sad truth: few tourists do more than meander to overlook, snap a photo, and then roar off in an air-conditioned car.

Edward Abbey was right: "What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener."
Desert Solitaire p 290.

*Exception to the trail rule? The Narrows at Zion. It was kind of the only game in town after the landslides of 2018 (aside from scaling bare rock faces). That hike –– a wet, awe-inspiring meander up the slot canyon –– did fill up considerably come lunchtime. Early morning or off-season recommended.

So, back to the dusty devilly trail.

Devil's Garden trail is nearly 8 miles there-and-back again. A good scramble up red sandstone rocks, along ledges, through dusty piñon pine groves. We ran into families of deer –– the females showing ribs and the fawns leggy and curious –– a couple of parties of human hikers, lizards of various stripe, intriguing tracks in the sand, and the odd path marker.

Some markers odder than others. To a certain sort of thinker, this is an ambiguous sign:

I read it first as a series of nouns: road + leaf + laundry.

Clearly wrong.

A series of verbs: follows + goes + cleans.

Er, nope. Because, you know, why? But interesting. Return to this thought later, I told myself, tucking the camera back into my pocket.

I stopped for a sip of water a hundred or two hundreds yards later. The words transposed themselves: Trail Wash Leaves.

That seemed nearly probable: maybe the trail had a new name. The National Park people seem to engineer their signage so that visitors can have a more genuine park experience, complete with navigational anxiety and an understanding that maps are imperfect representations of the truth.

Maybe. But probably not.

It's a long walk, and I kept puzzling over these three peculiar words. Wash. Trail. Leaves. Perhaps I was a little dehydrated, guzzled gallons of water notwithstanding.

Most human language follows a predictable formula: Noun verbs an Object. Dog bites man. Woman reads book about a desert.

Leaves. Trail. Wash.

The pieces fitted together a half mile or more later: Alert, hikers: your trail, which has followed the path of this dried stream-bed –– known locally as a wash or a gulch –– is about to diverge from the stream-bed.

Oh. That.

Huh.

For the rest of the walk, series of words started presenting themselves. Triangular structures, each side a simple word that goes both ways: One can trail one's hand on the trail. One can leave the leaves behind, one can wash the wash.

Stone Ride Ice.
Rein Plant Saddle
Mount Slide Hollow.
Chant Riddle Stop.

Then we arrived back at the start of the trail.

And in the blink of an eye, we were addressing ourselves to pizza and cold beverages and a bookstore on the funky little main drag of Moab.

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Summer Reading Recommendations

6/16/2017

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A tall glass of iced lemonade beaded with condensation.

A pillow-lined nook on the porch overlooking open water or a garden.

The warm breeze carrying the scent of seaweed, or pine, or fresh-cut grass clippings.

And some books.

I had the enviable job for a while of reviewing new books for the erstwhile Tampa Tribune. I'd go into my editor's office with a big empty LL Bean tote and then stagger out like a bookwormy donkey. I'd review books that I liked and ditch the ones I didn't.

As a job, it didn't pay very well, but I did get to keep the books.

These days, I don't gobble up piles of reading material. Even with the bounty of the public library easily within reach, good books seem thin on the ground. When I do find one, I wish I were still writing reviews. Word of mouth only goes so far.

And hence, a couple of summer reading recommendations.

Ann Patchett Truth & Beauty, Joe Hill The Fireman

If you are a fan of Stephen King's apocalyptic masterpiece The Stand, let me humbly suggest Joe Hill's The Fireman.

The parallels –– each a brick-sized opus with a New England setting, a fatal plague devastating the country, a pregnant heroine –– are entertaining but not distracting. Both books take place in the near future and tackle deceptively complicated moral dilemmas –– as is the wont in apocalyptic fiction.

The disruption of society in Stephen King's The Stand sets the stage for a showdown with capital-letter Evil in the form of Randall Flagg. In The Fireman, the enemy is less showy (not a Big Bad, as Buffy would say), which gives Hill's suspense an edge: what does victory look like when the evil is not separate?

Hill's take on the calamity is not a super-flu but a fungal plague that sets its victims on fire. His descriptions are vivid, his pacing brisk (hold on!), and the characters reveal themselves with a nice, writerly economy.

Hill's novel also offers plenty of cool cultural references*, and it's worth noting that Hill is the son of King –– a fact he didn't make public until he had himself earned a little success.

*My favorite reference: the boat to Martha Quinn's island is the Maggie Atwood. Oh yes, that Martha Quinn.

The Fireman requires a chunk of time; and if you haven't budgeted some hours on the porch, you may have to forego sleep to finish the book.

But isn't that what you're looking for in a summer read?

via GIPHY

If you've never read The Stand, that's your other half of summer reading about the end of the world.

What? You don't like speculative fiction?

Really?

Even though I think all fiction is to some extent speculative fiction, okay, okay.

Try Truth & Beauty by Ann Patchett.

It's not fiction at all but the memoir of the author's friendship with Lucy Grealy. Grealy, of course, wrote the Autobiography of a Face about her lifelong struggle with facial cancer, facial reconstructive surgery, and a longing to be more than her own appearance. Patchett is the award-winning novelist who wrote Bel Canto, The Year of Wonders, and Commonwealth.

Grealy and Patchett attended Sarah Lawrence at the same time and then were thrown together more or less by chance as roommates at the Iowa Writer's program.

Their friendship is marked by contrasts: mercurial, feckless Lucy and methodical Ann, both ambitious writers, so very unlike one another, and yet...and yet. Thereby hangs the tale.

Patchett tells the story with the kind of unflinching honesty that at first shocks: chapter one introduces us to Grealy as she embarks on sexual adventure with a repellent older man.

Patchett's affection for Grealy, however, carries her readers beyond this to the enduring camaraderie and deep understanding that makes a friendship extraordinary.

I take it as a recommendation for the book that it was the source of quite a kerfluffle when assigned as the freshman reading book at Clemson University. (Friendship between girls not a suitable topic, evidently.) Likewise, I admire Patchett's sensible, kind approach to all things literary (just found her blog. Dang, she really is cool).

"We were a pairing out of an Aesop's fable, the grasshopper and the ant, the tortoise and the hare. And sure, maybe the ant was warmer in the winter and the tortoise won the race, but everyone knows that the grasshopper and the hare were infinitely more appealing animals in all their leggy beauty, their music and interesting side trips. What the story didn't tell you is that the ant relented at the eleventh hour and took in the grasshopper when the weather was hard, fed him on his tenderest store of grass all winter. The tortoise, being uninterested in such things, gave over his medal to the hare. Grasshoppers and hare find the ants and tortoises. They need us to survive, but we need them as well. They were the ones who brought the truth and beauty to the party, which Lucy could tell you as she recited her Keats over breakfast, was better than food any day."

From Truth & Beauty by Ann Patchett

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A Ghost of Bestsellers Past

5/28/2017

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One of my favorite nephews was helping me shuffle boxes of stuff from one place to the other recently. With that mix of patience and impatience native to the under-20 crowd, he did not express the slightest flicker of curiosity.

Still, his doubtful expression as he slid the carton (Marked "A-16") into the back of the Honda made me want to explain a little.

"I haven't unpacked that box since before your Uncle Jeff and I got married," I ventured. Which would make it the equivalent to the Jazz Age to him.
"Toss it!" he said, then, reluctantly, "Why?"
"Because there was space?" I said. "Because I never got around to it?"
"Huh," he said. "Welp, that's the last of the pile. Anything else?"

There wasn't, except my continuing impulse to explain. And of course my own curiosity.

I hadn't unpacked the box -- or possibly even peeked into it –– for a very long time.

Under a layer of yellowed St. Petersburg Times packing paper, an old acquaintance gazed back at me.

Wide Wide World was the first real bestseller in the U.S. Published in 1850, it sold hundreds of thousands of copies. And then, for a couple of solid reasons, it disappeared from most people's memories.

Why was it forgotten? Here's the short list:
1) It's a "woman's" book, which critics and scholars later tended to dismiss. What's a "woman's book"? Well, the short form is that, like Elizabeth Gaskell's Cranford novels, The Wide Wide World is focused on a heroine within the limited sphere of house and hold.

2) Like Little Dorritt or The Shack, the book offers a lot of weeping. Sentimentality is all well and good, but like unhappy families, I think every generation needs its own sentimental novel. Bridges of Madison County, anyone? Jonathan Livingston Seagull?

It's almost as if the reading public wrings the emotion out of a popular book, leaving a dry husk for the next wave of readers. Or not. It's just a theory.

3) The novel is long and it's deeply and relentlessly religious –– 592 didactic pages about Christians and their duties.

Our pre-teen heroine's duty boils down to how her sufferings are the will of God and how she needs to submit to the will of the men in her circle in order to find a happy ending...Think just a touch of Shades of Grey mixed with all the light-hearted fun of Bunyon's Pilgrim's Progress.

Goodreads reviews are sprinkled with phrases like "patriarchy by proxy" and "accepting male dominance" and the book is described (fairly) as "preachy," "stifling," and "horrid."

Sidebar data:
The author Susan Warner collaborated with her sister Anna on several novels.

Thanks to one of those collaborations, Say and Seal, we have the hymn "Jesus Loves Me," so popular with the Sunday School crowd.

So it's not a book that is going to have a revival, like Beryl Markham's West with the Night*. It's not a book I'm going to read again, ever. But I don't want to forget it. And so it has waited in a cardboard box lo these many years.

Wide Wide World essentially fired up the country's book publishing industry. The novel was huge. It outsold David Copperfield in England.

But Susan Warner did NOT make a fortune from it. She and her sister started writing after their father lost all the family money in the panic of 1837. The girls were poor and writing was their best option to keep body and soul together. They managed, but they did not enjoy the life of bestselling authors. Susan went on to publish a book a year until her death at age 66. The Warner sisters have been mostly forgotten.

Mostly: they did manage to pass along their family property, Constitution Island, to the US Military Academy at West Point. The island is part of the campus, although their house (Warner House, natch) is presently in a state of disrepair.

Sic transit gloria mundi.

Resources:

*A quick essay about West with the Night.

What Katy Read: Feminst re-readings of "classic" stories for girls, by Shirley Foster and Judy Simons, University of Iowa Press, 1995.

Child brides in present-day US

Goodreads page for Wide Wide World

https://www.enotes.com/topics/wide-wide-world-susan-warner

"Loving The Wide Wide World: a novel, its fans, and their fictions" essay by Jennifer L. Brady, Harvard.

Margaret Atwood on "Women's Novels."

http://www.inspirationalarchive.com/1730/the-history-of-jesus-loves-me-this-i-know-song/

Visible Women: New Essays on American Activism, edited by Nancy A. Hewitt, Susanne Lebsock. University of Illinois Press, 1993.

Nineteenth-Century American Women's Novels: Interpretative Strategies by Susan K. Harris, Cambridge University Press, 1990

"Panics, Gifts, and Faith in Susan Warner's Wide Wide World" in From Gift to Commodity: Capitalism and Sacrifice in Nineteenth-century American Fiction, by Hildegard Hoeller, University of New Hampshire Press, 2012.

Susan Warner and "The Wide Wide World" by Mabel F. Sltstetter, The Elementary English Review, Vol 14, No 5 (MAY 1937), pp115-167.

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Gearing Up to Write

5/16/2017

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When asked, many of the manly American men writers of their day used to claim that writing is easy. You just open a vein.

(Versions of the quote come from sportswriter Red Smith, sportswriter and novelist Paul Gallico, wordy novelist Thomas Wolfe, and his High-T Manliness Himself –– Ernest Hemingway. Thanks Garson O'Toole for this blog all about it.)

Um, okay, boys. Not for nothing, but bleeding is a lot easier.

That said, I've been away from my notebook and pen for a stretch. I actually forgot to bring paper on the month-long trip to the farm.

At least half-a-dozen things are tugging at my time right now. Any one of them is more pleasant and easeful than working on that novel.

I face a hefty amount of preparatory coaxing and girding up of the loins, bargaining and carrot-and-sticking, all in the interest of getting words to start flowing.

Which opens the door to the real the question: why write at all. Why not just not write? Get the other things on my list done. Retire or whatnot.

I would, actually, if I could.

So far I have failed to give it up. I've alluded to The Rime of the Ancient Mariner a time or two; it's that poem with the old guy pestering people at a wedding, insisting that he tell them HIS story –– that's a pretty good illustration of what goes on over here.

And yet, despite characters shouting and raising their hands frantically in the back of my skull-duggery room and a good playlist cued up, I am dipping into Reynold Price's wonderful Learning a Trade: A Craftsman's Notebooks 1955-1997. It's an annotated journal that gives me hope: in it, Price writes about his process. He dithers and wonders about his characters' motivations and choices. He revisits and re-considers his own moral position based on the things his characters do –– or what they must do, whether he wants them to do or not.

Price was a young man at start of these notebooks studying and writing in Oxford and then back in North Carolina, before he wrote A Long and Happy Life, his first novel. By the end, he's had a has successful career, including Kate Vaiden, and a dozen other novels, as well as screenplays and short stories, books with a biblical bent, and volumes of memoir.

Here's a sample from page 77 of Learning a Trade.

20 January 1957 LONDON
But look, isn't this story in danger of ending with a kind of cheat, that is with no resolution? What is the end going to imply?: simply that she leaves home for Norfolk or wherever? Maybe Wesley had better make some kind of gesture, however small.

And page 129:
27 August 1960, DURHAM
Rosacoke has told Wesley her pregnancy. His only reaction has been silence –– then question: has she known anyone else? Then simply telling her to come on, they must practice. Her own feeling through the revelation is chiefly numbness, tiredness –– though Wesley notices on her face the same look that was there on the November night (which was described then as hate).

I haven't read the story in question, and may never do so. Can't say I am want to know about Wesley and Rosacoke. What's interesting –– and heartening –– is that Price clearly spent a good portion of his waking life playing with his paper dolls, too, imagining an inner life for these imaginary friends, worrying about their actions and what it all means.

Misery is not the only thing that loves company.

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