Some warming-up exercises from my writing day.

All happy families are happy in the same way, Tolstoy wrote, but every unhappy one is unique in its misery. Poke around in the high canopy of the family tree, and you see that unique as unhappiness may be –– still, patterns emerge. Familiar patterns even.

Abandonments and early deaths, illness and poverty, and of course, like smoke seeping from under the rafters, scandal.

Joseph and his new bride Rosella exchanged vows in Pennsylvania and then moved to the teeming metropolis of Kansas City.

It's easy to imagine Rosella as the youthful replacement wife, possibly a hussy, and that Joseph was more than a little bit of a creeper, but that's simply too easy a story. No matter how often it happens in real life.

Like they say, when the answer is too obvious, look closer: as I compare birthdates, I see that Cornelia is 12 years Joe's senior. When they first married, he was 22 to her 34. She was a school teacher. Oh lawsie, I wonder if she was his school teacher.

​Turning the tables on who's the creeper, maybe.

The imagination boggles. To divorce in 1880, and then –– a period of seeming quiescence, where Cornelia and Joseph both lived in the same small Nebraska town? Then for him to marry Rosella? 

What truth could match these data points?  Did somebody have a breakdown?  Perhaps Rosella was the original object. Perhaps Joseph just liked the family. Perhaps Cornelia organized the hand-off. Perhaps there was a lengthy epistolary courtship with letters coming in the mail. Perhaps one or the other was merely a marriage of convenience.   

I can see the new couple moving away from Nebraska. After all, Cornelia lived there, as did another older Newton sister, Catherine (and I wonder what she thought about all this), but why Kansas City? 
​​
And, finally, how would a researcher ever know?  Rosella and Joseph had no children (Or did they? Joseph's youngest is named Rose Ellen, born in 1879. Though a dozen documents say otherwise, one outlying reference lists her as the daughter of Rosella, and that she was born in Pennsylvania, not Nebraska). But again, if the children were Cornelia's, the surviving generations necessarily favor Cornelia's side of the drama.

It's possible that there was no drama.  

Except seriously, what happened? ​​

But in light of that impulse to cut things up and sew them back together in a pleasing form, today's writing prompt takes some random words and puts them into a story pattern:

Random words: relation, requirement, region, role, reaction, revolution, ratio.
The pattern:  (character+needs+action)

Story 1
Everything looked tiny from the sky that time of day. The ratio of tree to shadow all out of proportion, as if the shadow had overthrown its role. She felt the idea take hold, that a revolution was rolling across the surface of the world. That long, branching shadow was just then throwing a tree into existence against the burning disk of sun.

The crackling of her headset recalled her to the reality of the chopper, the dry air and the dust, the possibility of light glinting off something lethal on the ground below her.  

"Barnett! Two clicks!" 

She nodded and took a deep, steadying breath. Without consulting the laminated instruction sheet clipped to the seat-back, she ticked off the safety requirements again. She snugged the buckles, threaded gloved fingers along the straps. This time, she swung her legs to the side and let her boots meet the skids. 

"Barnett, I am counting in four, three, two ––" the horizon took a quarter turn, and she punched the release on her seatbelt. Gravity loaded as the chopper rose away from her. The chute deployed, and she bounced lightly in the harness in the middle of the air.

The toggles felt like reins, she thought, and the wing was like a horse racing downhill. Shit, she was flaking out. She was a target waiting to sighted. With an effort, she lined up a particular tan formation of rock with its own long shadow and urged the horses to gallop. 

The gritty sand rose to meet her, and she landed running. Hustling the wing into the pack, she didn't spare a moment looking into the hills. She trotted up the narrow ravine for fifteen minutes, the only sound her boots and her own pulse like a snare drum in her ears.



Whoa. That's a surprise. Sometimes the scraps turn themselves into something unexpected.

​I wonder if it's Afghanistan or Mars. Why is she solo? I may return to this one day, and I thank you for joining me in my rhetorical calisthenics. 

Imagination is like the common cold virus: it's always there, lurking, waiting for the chance to nip in and take the wheel. There's no sure cure, though you can treat the symptoms. Medical advice says let it run its course. 

Today's fiction prompt: a photo I took on a fishing trip to Wyoming.

Rudolph was no fiberglass elk, bugling soundlessly on the street of Thermopolis.
He was neither the victim of a fierce electrical taping nor did he lose an ear during a wrestling match with a drunk guy.
He did not lift his rack of fiberglass antlers into the wide Wyoming sky in an effort to voice his pain.
He did not wear a saddle-pad of twinkling holiday lights. 
He did not sport a compact fluorescent bulb painted red at the distal point of his noggin.

They might have let Rudolph join in any reindeer games, but little matter.
Was he like Bartleby before him, preferring not?
Or like Robert Cratchit, beetling away for the chance of a day's liberty?
Or Balthazar, with the insight to know what lay ahead?
Or maybe, inert as can be, he is like the Yule log, waiting for the dark to yield to light and then celebrate another year beginning.

​Hope your season is bright. 

We started the Devil's Garden trail at 6:30 perhaps –– the sun was up, but the shadows were long when we left the paved trail at Landscape Arch. 
​
​Bonus travel tip:  Even in the busiest and most popular national parks, we found that by hiking a few hundred yards down nearly any trail*, we could leave most of the seething mass of vacationing humanity behind.

Sad truth: few tourists do more than meander to overlook, snap a photo, and then roar off in an air-conditioned car.

Edward Abbey was right: "What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener."
​Desert Solitaire p 290.

*Exception to the trail rule? The Narrows at Zion. It was kind of the only game in town after the landslides of 2018  (aside from scaling bare rock faces). That hike –– a wet, awe-inspiring meander up the slot canyon –– did fill up considerably come lunchtime. Early morning or off-season recommended.

So, back to the dusty devilly trail.  

Devil's Garden trail is nearly 8 miles there-and-back again. A good scramble up red sandstone rocks, along ledges, through dusty piñon pine groves.  We ran into families of deer –– the females showing ribs and the fawns leggy and curious –– a couple of parties of human hikers, lizards of various stripe, intriguing tracks in the sand, and the odd path marker.

​Some markers odder than others. To a certain sort of thinker, this is an ambiguous sign:

I read it first as a series of nouns: road + leaf + laundry.

Clearly wrong.

A series of verbs: follows + goes + cleans.

Er, nope. Because, you know, why? But interesting. Return to this thought later, I told myself, tucking the camera back into my pocket.

I stopped for a sip of water a hundred or two hundreds yards later. The words transposed themselves: Trail Wash Leaves.

That seemed nearly probable: maybe the trail had a new name. The National Park people seem to engineer their signage so that visitors can have a more genuine park experience, complete with navigational anxiety and an understanding that maps are imperfect representations of the truth.

Maybe. But probably not.

The pieces fitted together a half mile or more later: Alert, hikers: your trail, which has followed the path of this dried stream-bed –– known locally as a wash or a gulch –– is about to diverge from the stream-bed.

Oh. That. 

Huh.

For the rest of the walk, series of words started presenting themselves. Triangular structures, each side a simple word that goes both ways: One can trail one's hand on the trail. One can leave the leaves behind, one can wash the wash.

Stone Ride Ice.
Rein Plant Saddle
Mount Slide Hollow.
Chant Riddle Stop.

Then we arrived back at the start of the trail.

And in the blink of an eye, we were addressing ourselves to pizza and cold beverages and a bookstore on the funky little main drag of Moab.

Speculative fiction (what some longtime readers might think of as "SciFi") can be described as the fiction of ideas.

​Even more than other fiction, SF often examines the consequences of one idea across a whole society.  For instance, what if robots became so beautifully built that they could pass for human? What if you could outsource your own memories? What if Hitler had won the war?*

So with SF on my mind, today's writing warm-up exercise:

Story 1
The eclipse was less dramatic than she'd expected. Not that she was in the cone of totality, but still, she'd never witnessed a solar eclipse before. Never mind a double.
Still, she'd taken the afternoon off, and though the cheap protective glasses had broken –– she'd forgotten them in the seat of her vehicle and then sat on the damn things when she'd slid into the seat in the cool darkness of the parking bay.
Still there it was: her first double-lunar eclipse. She watched two penumbral cones shaving the sun into a puny lozenge of light. An unseasonable breeze sprang up. She shivered and wished there was someone next to her. She hadn't considered herself in any way sentimental, but she longed now for something communal, a human companion.
The sight of the sun, even as small and cold as it was from this distance, turning just that much smaller and colder –– well, she felt for a moment that she understood primitive superstition.
And then, as quick as the remembered snap of a plastic tiddley-wink, the moons parted and the sun shone round and bright again. 

Story 2
He kept watch on the mirror-calm surface of the water, barely breathing.
He was comfortable –– or anyway about as as comfortable as anyone zipped into a breather suit and strapped bodily against the pot-bellied ventral surface of a drone hopper could expect to be. He refused to consider the blurring of the features of shore, blocked out thoughts of the hopper's speed (only a quarter-sonic, almost survivable without the suit), kept his attention on the glassy reflection of the sky.

The handful of beta-blockers he'd swallowed at the start of his shift was working to keep his blood-pressure low. He shrugged his shoulders against the petal-soft lining of the suit. He stretched the webbing between first his left and then his right hand.

Eyes open, he told himself. He was going to need to be very quick and very lucky or he was going to end up very dead. And he wouldn't be the only one. 

The third time, I realized quoting the opening lines of The Canterbury Tales in the original Middle English was a painful dating stratagem of people in my chosen field of study. The idea being, perhaps, to stupefy and render the object unconscious.  

Still, April is a time when folk DO long to hit the road.

Springtime itchy feet.

​Questing for sunny beaches or the last few downhill runs, going for the peak cherry blossoms or those first bulbs poking heads out of the mud. 

Each trip worth a Tale.

P-p-pa-poetry? Here, this won'd hurt much:

The Caterpillar by Ogden Nash
​
I find among the poems of Schiller
No mention of the caterpillar
Nor can I find one anywhere
In Petrarch or in Baudelaire
So here I sit in extra session
To give my personal impression.
The caterpillar, as it's called,
Is often hairy, seldom bald;
It looks as if it never shaves;
When it walks, it walks in waves.
And from the cradle to the chrysalis
It's utterly speechless, songless, whistless. 
​

Writing is not exactly like playing professional football, but sometimes it feels like it.

Stretching and warming up.
The tackles and the ice-baths and the bruises.
The snail's pace forward.
That.bossy guy in stripes on the sideline demonstrating –– incorrectly, as it turns out –– how to perform the hokey-pokey.  

But fer reals, like any would-be linebacker, a writer has to practice and run drills. Here's my own little practice session. Omaha! Omaha Seventy-Eight! Set! Hut! 

Story 1
He woke to the familiar cathedral space of the pavilion. He smelled frost in the air and made a careful effort to roll in place on the cardboard, not wanting to let cold air into his sleeping bag. 
     If he waited maybe half an hour, there would be bitter coffee to warm his hands and burn his mouth. But if he waited too long, someone would hustle him along and there would be no coffee at all. Perhaps it was time already. He braced himself and then slid himself from of the cocoon of warmth, keeping his sock feet on the Ollie-Ollie-Oxenfree safety of his little bivouac. He stretched, feeling the crackle of his joints and an unpleasant stretching of his skin.
     He was not old –– no one would call him old –– but life on the road had weathered him. Only a few silver threads showed in matted hair, but chalky patches of callus punctuated his corners, showing like mushrooms at his elbows and knees. 

Story 2
In semiphore, the universe was telling him to cash in his bonds, sell his Persian rugs, set the birds free, and dispense with personal hygiene.
     Things were happening. An electric crackle at the edge of his hearing and the way the flags snapped in syncopation? It was all coming clear. They were directives, acronyms spelled out in flags, commands that he could not ignore. 
     He'd been waiting, he realized now, for his whole life for this. He found himself holding his breath, counting steps, feverishly translating phrases into Latin and then Spanish and then back into English. The sense of impending moment, like a cresting wave arrested briefly by the shutter of a camera, arched above him. The heavy perfume of orange blossom intoxicated him with sweetness.
     He woke to the familiar cathedral space of the pavilion. He smelled frost in the air and made a careful effort to roll in place on the cardboard, not wanting to let cold air into his sleeping bag.

  

So. Much. Happening in this photo.

All to the good: Let it be fodder for the imagination.

Story1
Absenthe, she tended to remind herself, does not make the heart grow fonder.

Her thoughts slid, like the needle finding its vinyl groove, to her long-ago college adventures, already three generations too late to know about the real Absenthe. A young dreamer 80 after the green fairy flitted through fin-de-ciecle Paris. In French, la fée verte, the fairy who inspired and drove artists mad. But maybe that was just the wormwood talking.  

She knew the flavor –– anise, of course, always licorice –– and she knew how the emerald-green liquor clouded into the color of a mint milkshake when mixed with water.  

"Give a chap a drink," they used to call across open space to one another, college kids with a yearning for Hemingway's sort of possibilities.

"Isn't it pretty to think so," was the correct response. A bit of self-conscious whimsy. A pose. Ersatz nostalgia with a wink.   

They usually ended up with beer. It was cheaper and plentiful, and it was only much later that anyone laid hands on the heavy glass bottle that held a genuine green fairy.

But they were just college kids afternoon-drinking then, hoisting glass mugs of yellow beer, waxing gently ironic about their dreams.

She shook her head as she trudged along, and then caught the eye of a young person –– boy? girl? not that it mattered, a slim figure dressed entirely in black who probably thought she was a crazy old bat. Far ridere il polli.

She felt her shoulders rise in an exaggerated shrug and quickly added a neck roll to make herself look less ridiculous.  Wormwood, she had been thinking, artemisia absenthium, a medicinal bitter herb.

Stopping to catch her breath and shift the shopping bag from left to right, she considered the plant. Silvery leaves dried like sage, with the scent –– what else? –– mildly licorice-scented.  If she remembered her Culpeper's Complete Herbal (circa 1653), and she did, "This herb is good for something, for God made nothing in vain."  

She expelled the irony in one sharp exhale: "Or anyway, Isn't it pretty to think so?"